The work was open for viewing only during the Summer Screenings 2024.
WORRY-FEAR-UNEASE. THE TRIPTYCH by Agrippina Meshcheryakova UK (2023)
Struggling with anxiety and disassociation, a young girl’s life is disrupted by a chilling biblical nightmare. As she struggles through a day of intrusive thoughts and relentless anxiety, her desperate calls for support go unanswered, intensifying her fears of losing loved ones. When her boyfriend finally responds, their connection feels distant, overshadowed by Tonya’s overwhelming worries and exhaustion. As she drifts into sleep, she cannot help but wonder if she ever finds peace or will always remain trapped in the haunting grip of her anxiety?
Director’s Statement
‘Worry-Fear-Unease: The Triptych’ is a three-screen experimental installation film that delves into the depths of anxiety and dissociation. Drawing from my own struggles with mental health, this project was born out of a desire to depict the raw emotions that countless others, like myself, experience on a daily basis. Going beyond passive observation, the film actively involves the audience, enabling them to immerse themselves in the main character’s journey. Through the dynamic visuals across multiple screens and an immersive sound design, viewers are transported into the character’s inner world, experiencing their fears and uncertainties. Guided by a production design and cinematography inspired by the timeless beauty of Biblical and Renaissance art, this film become a moving painting and a testament to the human experience. It boldly embraces the struggles and pain, while also revealing the hidden beauty that can arise from our darkest moments.
Bio
Agrippina Meshcheryakova is a graduate directing student at the Northern Film School. She is passionate about every aspect of filmmaking and loves to experiment with her work. Agrippina is inspired by different types of art, as she was brought up in a family of fine artists. She hopes to be making various films in the future that will all be united by tributes to artists and challenge of the film form. ‘The Triptych’ was a big step in her career, finally working with a crew and challenging herslef to tell a story through three screens and no dialogue. Previously, she directed a video art short film about Rennaissance art, a documentary, as well as produced and assisted various dramas.
Agrippina Meshcheryakova – Writer, Director, Producer
Cameron Haggie – Producer, Camera Operator
Calum Auckland – DoP
Christina Worrall – Sound designer/recordist
Gyte Zygelyte – Editor
Paul Woodrow Mias – Production Designer
Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved.
Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.
