Pols, so small and fragile, are much more than mere particles floating in the air. It is strength, drive, and the constant rhythm of a heart beating with untamed energy.
This very concept is reflected in the mythical water women, mysterious beings tied to a nature that is both wild and captivating. Among hidden pools, roaring waterfalls, and perpetually flowing waters, they have found their place… or perhaps only a part of it.
For the water women live divided between two realities: the world they know and the world they long for. They dream of different horizons, where everything is seen through a new lens, free from the definitions that confine them. This tension, this duality, lies at the heart of their conflict: to accept the rules of a world they did not choose or to yield to the magnetism of the unknown, which draws them with an irresistible force.
It is a dance, a subtle struggle between acceptance and desire, between the stillness of the familiar and the unsettling promise of freedom. The water women do not merely exist; they question, dream, and redefine themselves within this fragile balance that makes them as human as they are magical.
Bio (Elisabet Prandi Chevalier)
Elisabet studied photography at the Institut d’Estudis Fotogràfics de Catalunya (IEFC) from 1982 to 1986. She later specialized in cinematographic photography at FEMIS (École Nationale Supérieure des Métiers de l’Image et du Son, Paris)..
As a Filmmaker
Elisabet has directed numerous commissioned documentaries for Spanish Television programs. In addition to these works, she creates her own documentaries, video-dances, and visual art pieces.In 2015, the FLUX Festival (Festival of Auteur Video) honored her work with a monographic showcase.
As a Director of Photography
Since 1992, Elisabet has collaborated with prominent visual artists such as Jesús Ramos, Miquel Àngel Raió, and Mabel Palacín (featured at the Biennale di Venezia in 2011). She has also worked with various film directors, including Romà Guardiet, Marta Balletbó-Coll, Joan Marimón, Mathilde Mignon, Hélène Angel, Montecarlo, Sonia Abella, and Pere Portabella.
Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved.
Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.
