On the CROSSROADS of politics, migration, environment, and art.

CHAPEL OF VERY SMALL CREATIONS | Simone Hooymans | Norway (2022)
HANDLE WITH GLOVES | Adnana Greșiță | Romania (2024)
TIME | Petra De Nijs | Netherlands (2017)
TO CUT A TREE ON A GREEN MOON (Cortar Un Árbol En Luna Verde) | Felipe Esparza France, Peru (2021)
MANUFACTURED DEMOCRACY | Huner Emin | Mesopotamia (Modern Iraq), USA (2024)
TAMSARA | Michel Pavlou | France, Greece (2010)
LIFE FULL OF HOLES | Jeannette Castioni | Italy, UK, Iceland (2021)

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Created by pebbles
CROSSROADS

Vote for your favorite work. The work winning the Audience Award will be included in our finalists screening in January 2025.

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pebbles

Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved. Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.

By pebbles

Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved. Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.