film and video art
Within the ordered infrastructures of human civilization, society endeavors to minimize the existential uncertainties of human survival to a minimum. The sidewalk, the fence, the clearing – each serve as a boundary, a tacit agreement between the human and non-human world: a contract stipulating that neither shall cross these thresholds without becoming subject to the law of the other. These spatial and symbolic thresholds represent an attempt to contain nature, to insulate ourselves from its unpredictable vitality.
A Weak & Panicked Animal gathers an unsettling archive of CCTV footage, police body-camera recordings and news reports depicting encounters between wild deer and human settlements. These images, charged with unease, confusion and often violence, form a portrait of territory in crisis. As the matrix of popular media mediates our conceptions of nature and civilization, it can also disrupt them, revealing the porosity of borders between human and non-human realms and the fragility of the anthropocentric systems we rely on to assert control over the natural world.
Drawing on Anna Tsing’s concept of “contamination” – the idea that interspecies encounters inevitably alter and destabilize our relation to the natural world – these deer become agents of disruption. Their presence forces a collision between the contradictory forces of constructed order and ecological spontaneity. As they breach the material and symbolic fortifications of human society – shattering storefront glass, storming school halls, thrashing through offices – the illusion of a clear division between human society and the wilds of nature is violently dissolved.
What emerges from these confrontations is not merely spectacle, but a moment of ontological rupture. These animals – often perceived through the matrix of media as gentle, passive, picturesque – become emissaries of an ecological will to power. In their panic and confusion, we see reflected our own vulnerability, precarity and ultimately, our utter entanglement within an ecosystem we have fooled ourselves into believing we have mastered.
A Weak & Panicked Animal asks what happens when the margins of the wild breach the heart of civilization, when systems of surveillance and security fail to uphold the fantasy of human dominion and we are confronted with the primal apathy of nature. In doing so, the work reveals how deeply human civilization depends on denial: denial of contingency, denial of interdependence, denial of the fact that no matter how sterile or secure our human bastions become, they are still enmeshed in a planetary ecosystem indifferent to the whims of humankind.
Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved. Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.
