The work was open for viewing only during the Summer Screenings 2024.

I SEE RED by Silvestre Correia
UK, Portugal (2023)

In a secret place, there exists Wendy. Restless and with no grand objective, she dances in fear. The colour red haunts her, obfuscating her reality in a sad shade of pink. A macabre perception of femininity composed by the troubled imagination of its director, who has moulded his transgender experience into a semi-autobiographical absurdist horror, which dissects his experience of gender – both physically and mentally.

Bio

Originally from Coimbra, Portugal, and based in Sheffield, UK, Silvestre Correia is a performer, theatre and film director whose work comes from thoughts that are united into something that goes beyond definition. It’s about exposing something disturbing yet playful, that cannot be fully explained.

Directed by Silvestre Correia
Written by George Murphy
Original Score by José Valente
Cast: Carolina Dominguez; Bárbara Bruno; Anabela Ribeiro; George Murphy and Silvestre Correia

www.silvestrecorreia.com

pebbles

Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved. Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.


By pebbles

Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved. Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.