The work was available on our website only for the period of the screening.

“White Line Fever” (00:04:55) by Pierre Ajavon, France, 2022

“White Line Fever” or “road hypnosis” is an altered state of consciousness that can lead to a trance-like state by staring at a fixed point.

Staring at the lines on the road can produce a hypnotic effect, a state of unconscious functioning, after which all memory evaporates.

Accompanied by a hypnotic sound creation, images emerge from the unconscious and then disappear in a visual road trip. Follow the white line…

Director Bio

Born in Paris on 1 May 1966 // lives & works in Paris – France

– Sound engineer (accredited training center Steinberg)

– Composer & Musician (member of SACEM and SACD)

– Master in Sociology

– Thesis : The psychedelic movement and its infuence on contemporary culture – Paris X-Nanterre

– License // Ethnomusicology and Sociology – Paris X-Nanterre

– Bi-Deug // Sociology – Psychology – Paris X-Nanterre

 

https://linktr.ee/pierreajavon  

https://www.facebook.com/pierreajavonvideos 

https://www.instagram.com/pierre.ajavon/

pebbles

Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved. Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.


By pebbles

Pebbles Underground is focused on showcasing and promoting experimental, avant-garde, underground, and no-to-low budget projects by artist-humans from all over the world. Absurd, uncanny, witty, humorous, slow-video – all are welcomed, and loved. Pebbles Underground is an independent project not funded by any government or corporation, and we intend to keep it that way. Main source of funding is personal donations from humans organizing the project, who are artists themselves, and the main drive of the project is formed by the energy and involvement of the organizers, and the public.